Micki McElya

Micki McElya, Associate Professor of History, University of ConnecticutPh.D., New York University
Associate Professor

Hours, Fall 2017: Tue 11 am – 12pm; Wed 10-11:30 am Beach Hall 4th Fl, and by appointment
Office: Wood Hall, Rm 226
Email: Micki.McElya@uconn.edu


Areas of Specialty

Histories of Women, Gender, Sexuality, and Racial Formation in the United States from the Civil War to the present, with an emphasis on Political Culture and Memory; Cultural History, Feminist & Queer Theories


Current Research Interests

Micki McElya’s current book project is Liberating Beauty: Feminism, the Civil Rights Movement, and Miss America.



Micki McElya received her B.A. in history from Bryn Mawr College in 1994 and a Ph.D. from New York University in 2003. Before joining the faculty of the University of Connecticut, she was an assistant professor of American Studies at the University of Alabama (2003-2008).

Her recently published book, The Politics of Mourning: Death and Honor in Arlington National Cemetery was a finalist for the 2017 Pulitzer Prize for General Nonfiction, as well as for the Jefferson Davis Book Award from the American Civil War Museum. It was the winner of the inaugural Sharon Harris Book Prize from UConn’s Humanities Institute.

McElya’s first book, Clinging to Mammy, won a 2007 Outstanding Book Award from the Gustavus Myers Center for the Study of Bigotry and Human Rights. She was named a “Top Young Historian” by the History News Network in 2008.




The Politics of Mourning: Death and Honor in Arlington National Cemetery (Cambridge, MA: Harvard University Press, 2016)

Clinging to Mammy: The Faithful Slave in Twentieth-Century America (Cambridge: Harvard University Press, 2007).


Articles & Essays

“The White Slave: American Girlhood, Race, and Memory at the Turn of the Century,” in Child Slavery Before and After Emancipation: An Argument for Child-Centered Slavery Studies, Anna Mae Duane, ed. (New York: Cambridge University Press, 2017): 80-102.

“Unknowns: Commemorating Black Women’s Civil War Heroism,” in Kirk Savage, ed., The Civil War in Art and Memory (Washington, DC: Center for Advanced Study in the Visual Arts, National Gallery of Art, distributed by Yale University Press, 2016): 213-226.

“Remembering 9/11’s Pentagon Victims and Reframing History in Arlington National Cemetery,” Radical History Review–Special Issue Historicizing 9/11 no. 111 (Fall 2011): 51-63.

“A Response to Trevor Burnard’s ‘America the Good, America the Brave, America the Free,'” Journal of American Studies vol. 45, no. 3 (September 2011): 421-425.

“To ‘Choose Our Better History’: Assessing the Obama Presidency in Real Time,” American Quarterly vol. 63, no. 1 (March 2011): 179-189.

“Painter of the Right: Thomas Kinkade’s Political Art,” in Alexis L. Boylan, ed., Thomas Kinkade: The Artist in the Mall (Duke University Press, 2011): 54-80.

“Commemorating the Color Line: The National Mammy Monument Controversy of the 1920s,” in Cynthia Mills and Pamela Simpson, eds., Monuments to the Lost Cause: Women, Art and the Landscape of Southern Memory (University of Tennessee Press, 2003).

“Trashing the Presidency: Race, Class and the Clinton-Lewinsky Affair,” in Lauren Berlant and Lisa Duggan, eds., Our Monica, Ourselves: The Clinton Affair and the Public Interest (NYU Press, 2001).