Student Achievement

Jenna Ulizio ’26 and Everett Padro ’26 presenting at int’l virtual conference 6/19

Posted on by

"The Conflict" by Snejana Granatkina, a line drawing of two stick figures fighting over the word "history."Jenna Ulizio ’26 and Everett Padro ’26 will present at the online seminar “Public history for contested and conflicting past(s)” on Thursday, June 19. The seminar is organized by the students of the Master in Digital and Public History (MADiPH) at the University of Luxembourg:

The past is subject to multiple historical interpretations. Perhaps more than ever, the current context offers many examples of contested – and sometimes conflicting – views and interpretations of the past. Beyond certain events and topics that appear very controversial, the overall production, mediation, and discussion of history are also at stake. The very existence, practices and discussion of evidence-based research are sometimes threatened. In this context, we may question what public history can bring to the discussion, what roles historians (still) have in the public interpretations of the past. How does public history deal with controversies, handle contested and conflicting topics?

Grace Easterly Selected as 2024-25 CWAR Institute Fellow

Posted on by

Grace Easterly has been selected as a 2024-2025 fellow at the Cold War Archives Research Institute.Grace Easterly, graduate student

The Cold War Archives Research Institute at the Wilson Center has two objectives: “to stimulate original scholarship on the interplay between soft and hard power in the cold and hot wars between 1945 and 1991; and to demonstrate the power of cooperative scholarship through innovative archival practices”. This highly competitive fellowship seeks to train graduate level students in archival research methodologies, and hone the CWAR fellows “critical research skills in historical and archival methodologies, further their own research agendas in Cold War history, improve their communication and presentation skills, and develop a network of supportive professional contacts”.

Congratulations to Grace Easterly on this impressive achievement!

2022 Graduate Prize Day Winners

Posted on by

On April 29, the History Department closed out the semester with a celebration of our graduate students. We congratulate you!

Hugh M. Hamill Graduate Fellowship in Latin American History

Catalina Vásquez-Marchant 

Daniela Itzel Domínguez Tavares

Graduate Student Teaching Excellence Award

Marc Reyes

 Harry J. Marks Fellowship

Anna Kittredge

Bruce M. & Sondra Astor Stave Prize in Recent American History

Britney Murphy

Albert E. & Wilda E. Van Dusen Award

Lincoln Hirn

Thomas G. Paterson Graduate Fellowship in the History of U.S. Foreign Relations

Grace Easterly

Sandra Rux Award 

Rachel Hendrick

Undergraduate Honors Student Thesis Spotlight: Renee Semple

Posted on by

Abstract Image for Renee SempleA timely thesis from UConn grad ’21 Renee Semple who explored how narrative shapes public response and cultural memory. In examining the narratives crafted around the 1918 and 1957 influenza pandemics, Semple details the danger of historical erasure in the elevation of certain narratives over others. A job well done!

Renee Semple, “Preferred Narratives and Their Impact on Historical Memory: An Examination Through Comparison of Twentieth Century Pandemics”
Thesis Advisor: Dr. Shirley Roe

Societal response to a crisis and the narratives that emerge from the event(s) often vary and oppose one another. A narrative can be considered a point of view or a lens that is often cultivated through experiences and carries its own tone while telling events. This thesis compares the narratives that emerged from both the 1918 and 1957 influenza pandemics. Examining the 1918 influenza pandemic reveals both a public and a private narrative, in which the public narrative is the preferred out of the two. Filled with optimism, the preferred public narrative focused on moving forward and furthering scientific research—a modernist view that overshadowed the private narrative. This pattern is discovered in the influenza pandemic of 1957; the two narratives emerge, with the public one as the preferred narrative. By comparing these two pandemics within fifty years of one another, it is clear that a pattern of societal response and preferred narratives emerges out of these public health crises. The narratives created during the pandemics persisted afterwards by influencing the cultural memory and perpetuating instances of historical erasure.

Undergraduate Honors Student Thesis Spotlight: Kasey Schempf

Posted on by

Kellems Image Schempf ThesisUConn History undergraduate alum Kasey Schempf blends questions of taxation and representation in her examination of Vivien Kellems. Interested in exploring a “feminist rebranding” of the crusader for tax equality, Schempf looks to the CT-based activism of a woman considered to a feminist visionary.

Kasey Schempf, “Unveiling the Feminist Character of Vivien Kellems”
Thesis Advisor: Dr. Peter Baldwin

Vivien Kellems was undoubtedly a crusader for tax equality, inspiring many later movements. The Connecticut businesswoman openly despised the Federal Income Tax, among other taxes. She certainly wasn’t afraid to share her opinion, even if it wouldn’t make her any friends. However, in the late 1960s, Kellems began to appeal to a new demographic: young, unmarried women. She moved away from her radical, conservative language and assumed the role of the “spinster,” advocating for younger women. She aligned herself with the movement against the Singles Penalty, or the notion that single tax filers were “penalized” for remaining single. As a result, Kellems is typically praised by scholars as a feminist leader and supporter of Second-Wave Feminism.

This paper aims to examine the transformation of Vivien Kellems from a radical political character to a common household name as she strategically campaigned for single tax filers. Moreover, this study will highlight the activist efforts of Kellems and investigate the possibility of a “feminist rebranding” to secure more supporters for her true motive: to overhaul the American tax system.

Undergraduate Honors Student Thesis Spotlight: Shankara Narayanan

Posted on by

2022-2-11-Undergrad Thesis Post - ShankaraUConn ’21 grad Shankara Narayanan explored the power of discourse in the making of US-China relations. A fascinating and timely study.

Shankara Narayanan, Knowing China, Losing China: Discourse and Power in U.S.-China Relations
Thesis Advisor: Dr. Alexis Dudden

The U.S. government’s 2017 National Security Strategy claimed, “China and Russia challenge American power, influence, and interests, attempting to erode American security and prosperity.” Three years later, the COVID-19 pandemic has accelerated the U.S. foreign policy community’s discursive shift towards Realist competition with China, with officials from the past three presidential administrations coming to view China as a threat to democratic governance and America’s security posture in Asia. The discourse underpinning the U.S.-China relationship, however, remains understudied. During key moments in the relationship, U.S. policymakers’ Realist intellectual frameworks failed to account for Chinese nationalism, suggesting a problem embedded within America’s strategic discourse. This manuscript uses discourse analysis to analyze why and how American officials failed to create a strong, united, and democratic China during the Marshall Mission (1945-1947), arguing that the use of Realist constructs, great-power frameworks, and theories of geopolitical realism prevented them from accounting for Mao Zedong’s postcolonial nationalism, leading to the Mission’s failure.

Undergraduate Honors Student Thesis Spotlight: Nicole Mooradd

Posted on by

Image of Anne of Greene GablesFor their senior honors thesis, UConn History ’21 graduate Nicole Mooradd explored Progressive Era children’s literature, marking shifts in gender norms, child-rearing, and notions of “respectable” girlhood. A job well done!

Nicole Mooradd, “’Just Be Glad’: Fiction for Girls during the Progressive Era, 1897-1920”
Thesis Advisor: Dr. Peter Baldwin

Prior to the early twentieth century, most children’s books were written for boys and focused on a specifically masculine set of characteristics. Following the release of Little Women in the mid-nineteenth century and the emergence of first-wave feminism, the Progressive Era brought about a new time for literature to thrive, specifically books written explicitly for female children. Many of these books written for girls were by female authors and focused on domestic stories of girls going through an average and expected life. These stories reflect the distinct gender roles expected for female children to adhere to as they grow older and enter into adulthood. This essay argues that these stories use “goodness” and its influence on the concept of feminine duty to highlight typical feminine gender roles that the authors want young readers to emulate as they grow older. Although the women’s place was changing in society, there were still a continuing emphasis of domesticity, womanhood, and childhood that females could not escape. I will focus on three domestic fiction stories, Kate Douglas Wiggins Rebecca of Sunnybrook Farm, Eleanor H. Porter’s Pollyanna, and Lucy Maud Montgomery’s Anne of Green Gables to explore these themes. These stories were staples of literature that were popular for young American girls during the Progressive Era and continue to be incredibly famous stories that influence society in the present.

Undergraduate Alumni Spotlight: Sulema DePeyster in the Field

Posted on by

Sulema DePeyster, UConn History, EPOCH InternWe are thrilled to announce that UConn History ’21 graduate Sulema DePeyster has decided to continue her work in community-based historical engagement. She has joined the Windsor Historical Society as the first  Community History Specialist. In this newly created position, DePeyster will design oral history projects that engage the Windsor community. During her time at UConn, DePeyster worked with History Professor Fiona Vernal on several oral history projects that made the untold stories of Windsor residents more visible and accessible. DePeyster’s commendable work garnered awards including the Undergraduate History Excellence Award and the Sandra Rux Fellowship.  Read more about Sulema DePeyster in this article from the Windsor Historical Society. Congratulations! We look forward to this next chapter.

 

 

 

Undergraduate Honors Student Thesis Spotlight: Abigail Meliso

Posted on by

image of Greek theaterFor their senior honors thesis, UConn History ’21 graduate, Abigail Meliso, reflected on the roles and contributions of women to theater in Ancient Greece. Great work!

Abigail Meliso, “Greek Women and the Theatre: An Analysis of the Presence and Participation of Women in Ancient Greek Theater”

Thesis Advisor: Dr. Joseph McAlhany 

Western drama can trace its lineage back thousands of years to classical Greece. We see the impact of classical playwrights still in modern theater, as well as various other areas of our society. Even now, students are assigned Antigone in high school and Oedipus has had his troubles immortalized in psychiatric jargon. However, as ubiquitous and easily accessible as it is now, scholarship throughout the years has debated how inclusive classical Greek theater was, particularly in regards to whether women were permitted to participate in or even observe performances. While it has proven popular to deny this possibility, given the occasional raunchiness of the plays and the limited autonomy of women at the time, some evidence suggests that, not only were women present in the audience of theatrical festivals, but sometimes a few select women would perform publicly.

Graduate Student Spotlight: Matthew Novosad

Posted on by

Matthew Novosad, UConn History, Graduate StudentIn November 2021, UConn History Master’s student Matthew Novosad presented at UConn’s annual Graduate Research Conference. This conference is an opportunity for 2nd year graduate students to engage their research ideas with the broader UConn community. The work presented at this conference is based on research conducted during the 5102 course, “Historical Research and Writing.”  Matthew Novosad’s research examines perceptions of submarine warfare during the First World War. His paper was titled, ” ‘The law of nations, the law of man, and the law of God’:  Discourse on Submarine Warfare in American Newspapers during the First World War.” He is also the president of the Franklin Historical Society and board member of Ashbel Woodward Museum in Franklin, CT.

1) What is your 5102 research project about? What are the central research questions? What are some of your findings?

My 5102 Research project was about the discourses about submarine warfare during the First World War in the United States. I primarily utilized newspapers for this project, drawing especially on editorials, advertisements, and letters to the editor. One of the guiding questions for all of my research, not just this project, is why did the submarine come to be almost exclusively associated with Germany during the World Wars, even when other countries made extensive usage of their submarine fleets? As well, I am also interested in how was the submarine understood during the war. I felt that one potential way to explore these questions was to look at how submarines were being discussed in the United States and to thus see if the discourse was about the submarine as an object. As I discovered, the conversations were mostly about the usage of submarines and how people viewed that usage within a legal framework. Additionally, I was interested in how the submarine was viewed in a wider cultural context but was only able to scratch the surface of that theme with this project. Films, I feel, would be an interesting angle to explore as there were multiple submarine related movies produced and released during the war that didn’t have much utilize the conflict as a theme – such as The Submarine Pirate in 1915 which starred Charlie Chaplin’s half-brother Sydney Chaplin. Another was the 1916 production of 20,000 Leagues Under the Sea.

2) How did you become interested in your research topic?

My father was a submariner during the late Cold War and he served onboard the USS George Washington Carver (SSBN 656) and the USS Augusta (SSN 710) so I grew up in a Navy household covered in Navy and submarine decorations. I also attended the Avery Point campus for my BA and most days I drove by a sign which stated that Groton is the “Submarine Capital of the World”. We could look out of our classroom windows and maybe see a Submarine leaving the Thames River and Long Island Sound for the Atlantic. I’d say I’m a product of my environment.

Additionally, I’ve always had an interest in the First World War and when I was an undergraduate, I discovered pictures of British and French submarines which had participated in the Gallipoli campaign in 1915. I had never known, up until that point, that the Allied powers utilized submarines during the First World War. It sent me on an odyssey to discover as much as I can about them. There are many questions I feel that can be explored through the Allied usage of submarines: What challenges does a naval war pose to coalition warfare? How did the Allied powers fit the usage of submarines into their strategies? How did they ‘sell’ their usage when they were condemning the Germans for Unrestricted Submarine Warfare? What relationship existed between civilians and an, at the time, relatively new weapons system? What can we glean about an emerging military-industrial complex (or as other scholars have termed for this period a “naval-industrial complex”)? How were the experiences of the First World War absorbed institutionally by Allied navies, how did that affect them going into the Second World War?

That’s a bit of a long-winded way of saying I became interested in this particular topic for my 5102 Paper in an effort to hopefully learn a little bit about the disconnect between the Allied usage of submarines during the war, and why they are almost non-existent in many accounts of the war at sea during the First World War. The specific shape that the project took, analyzing material that mostly came from newspapers, was the result of circumstance. COVID-19 and attending my first year of Graduate School online made doing other sorts of research more problematic.

3)  What were some of the strategies that you used to organize your research? Did you use any digital tools or software?

My main organizational tool was Zotero. It made not only saving and organizing the secondary literature easy, it also let me maintain a well-organized database of my primary sources. I sorted them principally by date as I was exploring responses to the submarine at certain “flashpoints” such as the sinking of the Lusitania in 1915 or the German resumption of unrestricted submarine warfare in 1917. Zotero also made citations much easier!

4) What was your favorite part of this research project?

The cozy days I spent with tea or hot cocoa (two of the three major drinks in the Royal Navy during the First World War) sifting through the mountains of material I had uncovered. There’s a sense of adventure and discovery as you get to actually start reading through your primary sources. I like to envision myself almost like Gandalf in Fellowship of the Ring when he goes to do research on the “One Ring”, although with far less at stake than the fate of Middle-Earth! I will say though, that for this project, I did miss the physicality of in-person research.

5) What was a memorable finding that you uncovered during your research?

It was easily the advertisements. Some of them were very humorous with slogans such as “Submarine Prices, Aeroplane Quality” while others can make you scratch your head such as a two week, two page spread of a “Submarine Sale” which used the imagery of unrestricted submarine warfare to sell clothing. At the very least, the companies who utilized these sorts of motifs did not believe that there was enough public animus against the submarine as an object that they could use it to try and sell their wares so I found that to be extremely memorable.

6) How did this project shape how you conceptualize your future career and/or research goals?

It has clarified for me that Allied Submarines were nearly forgotten during the war, let alone after it. I’d love to explore more deeply how they were (or weren’t) utilized in propaganda and in the construction of post-war national narratives. It has also helped show me that there is no work which deals with the design and usage of the submarine in a truly transnational context. For example, many histories treat John Holland, an Irish immigrant to the United States, as the “inventor” of the submarine. Holland’s big innovation was combining already existing inventions which had been used in submarine construction in countries like Spain and France, and then selling his version to the US Government. I’d love to see how inventors across the globe envisioned their submarine designs and research from the 1850s onwards. I’d also love to explore the concept of Connecticut as an “arsenal” of the United States. Both major American submarine designers and manufacturers were based in Connecticut: Electric Boat was (and still is) in Groton, while Lake Torpedo Boat Company was based in Bridgeport. Both companies sold their designs to the United States Navy and to other governments around the globe.

7) What inspired you to pursue a graduate degree in history?

Like Ishmael in the opening chapter of Moby-Dick, I accounted it was high time I went “to sea” once again. Graduate school, for me, was the next logical step in my career. I had taken time off after completing my BA in 2018 to take stock and see what I really wanted to do. In October 2019, after a year and a half of part-time jobs (some of which I loved, some of which I didn’t) I decided it was finally time to apply and to take my history career to the next step. I don’t see myself doing much outside of the realm of history – although what form that explicitly takes, I am not yet currently sure of.

8) What do you appreciate about studying history?

The freedom. I get to explore topics that interest me and even more importantly I get to share what interests me with other people. Research and studying are a paramount part of the job, but I find that what’s key to me is sharing historical knowledge and methods with a wider audience. It’s why I participate in the “AskHistorians” project, why I’ve appeared made podcast appearances, why I reenact as a hobby, and why I work so hard on local history as President of the Franklin Historical Society and as board member of the Ashbel Woodward Museum in Franklin, CT – because the teaching of history is what really excites me. I like sharing my insights and excitement with others!

9) If you could teach any course, what would it be and why?

I’m torn, I would love to teach a course about the First World War or a course about local history. The First World War I hope is at least a little obvious based on my earlier answers! I feel there’s a lot that students could gain from a course on the war and the way that we still very much live with its legacies. I envision such a course focusing not just on the European theatres, but its global dimensions and impact. It would also give me a chance to talk not only about submarines and the war at sea, but also about cavalry which is a rabbit hole of mine!

On the other hand, I’m in many ways wedded to local Connecticut history. It’s my firm belief that all history is local history in at least some way and I get so much personal value out of my work at the Franklin Historical Society and Museum. I’ve found in my tenure as the Franklin Historical Society President that my very small town as a very big history which connects it to so many major events and social movements. Franklin has both been influenced by, and has itself influenced, the larger world. No place is “unchanging” and it’s extremely fulfilling to help tell new narratives and stories in a town which had a fairly “static” history. I also find that local history has much more immediacy for people and makes the “big” more tangible. To be able to share Connecticut history with students would be an honor.