In a twist on “Three Books” to honor the 50th birthday of hip-hop, Professor Jeffrey Ogbar sounds off on one classic, one essential, and one of his favorite hip-hop albums in an article for UConn Magazine, “Happy Birthday, Hip-Hop.” 

In addition to being a UConn history professor, he is also the director of the Center for the Study of Popular Music. He has written and taught extensively on the role of hip-hop in the United States with his book, Hip-Hop Revolution: The Culture and Politics of Rap, and his popular course, “Hip-Hop, Politics, and Youth Culture in America.”

Prof. Micki McElya provides meaningful commentary and historical context on the removal of and plans for the Arlington Memorial’s Confederate statue in the Washington Post article, “Youngkin directs VMI to accept controversial Confederate statue.” The piece, written by Joe Hein and Ian Shapiro, discusses Virginia Gov. Glenn Youngkin’s request for the Virginia Military Institute to accept responsibility for the placement at the Virginia Museum of the Civil War at New Market Battlefield State Historical Park.

McElya’s book, The Politics of Mourning: Death and Honor in Arlington National Ceremony (a Pulitzer Prize finalist) highlights the role of Arlington Cemetery as the most influential site of politicized national identity formation in the United States. Her scholarly work provides important context for understanding the removal and the continued education necessary to clarify, as McElya noted, “the toxic misrepresentations of slavery, the Confederacy, and the Civil War the monument represents.”

Brendan Kane a professor in the Departments of History and of Literatures, Cultures and Languages, is also the Director of the Democracy and Dialogues initiative (DDI) at the Dodd Center for Human Rights. In 2017 he pioneered the Encounters dialogue series that created a model for community dialogues across Connecticut. A recent National Endowment for the Humanities (NEH) grant and the Connecticut Humanities Council enabled Kane to expand his previous work into a new conversation series, “Dialogues for Common Ground: American Identity and Connecticut’s Civic Reconstruction.”  which allows community members to work through primary source documents in small groups, discuss later in a larger group, and then finish with an expert Q&A.

Read more about this program in “Dodd Impact Team Seeks ‘A More Perfect Union’ Through Community Conversation” a recent article by UConn Today.

UConn History Professor and founding director of the Center for the Study of Popular Music, Jeffrey Ogbar participated in a two page ad that appeared in both the New York Times and The Atlanta Journal-Constitution titled “Protect Black Art.” The ad calls for restrictions on artists’ lyrics and other forms of creative expression including visual arts, film, writing, etc. from being used against defendants in courtroom and emphasizes their right to creative freedom and expression. Prof. Ogbar joins artists, scholars, organizations and companies in the call for protective legislation that allows artists to express their creativity without the threat of it being used against them in the courtroom. The ad was published in the New York Times and The Atlanta Journal-Constitution on November 1, 2022.

Prof. Ogbar’s scholarship focuses on 20th century African American history in the United States with a focus on Black nationalism and social movements. He has written on varied subjects including the New Negro Renaissance, mass incarceration, civil rights struggles, and hip-hop.